【展宣】一个人的房间

来源:漫展组委会@网络
2020-06-12 12:07


一个人的房间

木木美术馆798馆

2020.06.13 — 2020.09.13

我们非常荣幸地宣布木木美术馆(798馆)将迎来展览“一个人的房间”。本次展览将聚焦于木木美术馆馆藏以及八位/组国内重要艺术收藏家的私人收藏,呈现包含绘画、雕塑、装置、摄影、影像等多种媒介在内的近五十件藏品,并试图探索后疫情时代背景下美术馆展览的新模式与新理念。

 

著名独立策展人哈罗德·泽曼(Harald Szeemann)在上世纪八十年代曾说过,“美术馆是一座因艺术而存在的屋子”。三十多年后的今天,我们试图继续探索并诠释美术馆的当代定义与职责,并反思——何为2020年的美术馆?

此次展览邀请到一批国内极具代表性的收藏家——杜杰、洪艳霞、洪俊伊、李战豪、刘威、欧阳昆仑、元冰、周小波&周秀丽,将其珍藏的精品杰作与木木美术馆馆藏一同展出,许多作品将是自成为私人收藏以来呈现于公众视野。“一个人的房间”以机构和私人收藏为线索,突破了传统的时间顺序和艺术风格的限制,将整座美术馆划分为相对独立的空间。每位藏家将拥有一间属于自己的“房间”,并在空间内为自己展出的藏品策划一场小型展览。不同形式的艺术作品将被置于诸如家具等非艺术物件间,观者被邀请步入藏家的“个人空间”,近距离感知收藏行为的个体性以及蕴藏于其中的策展逻辑。与此同时,个人与机构收藏将在美术馆空间内同时呈现,多样的收藏理念与审美在此汇聚,生成视觉形式与抽象思想对话的场域。

沃尔夫冈·提尔曼斯

《爱(手埋在发丝中)》

1989

喷墨打印裱于铝板、艺术家自制框

82.7 x 62.3 cm

图片由Buchholz画廊惠允

Wolfgang Tillmans

Love (Hands in Hair)

1989

Inkjet print mounted on aluminum in artist’s frame

82.7 x 62.3 cm

Courtesy of Galerie Buchholz

皮埃尔·于热

《山丘,死去的印第安人》

2016

摄影

64 x 96 cm

图片由杜杰惠允

Pierre Huyghe

Cerro Indio Muerto

2016

Photography

64 x 96 cm

Courtesy of Du Jie

 

法国哲学家雅克·德里达(Jacques Derrida)曾提出:“好客的行为只能是诗性的。” 简而言之,真正的好客应该是一种无需任何提问,无需任何条件的好客。在这场展览中,主体与客体的关系被解构,美术馆、藏家、观众的传统身份被赋予新的意义,主人成了客人的客人,客人反而成了主人的主人。作为一个多种声音交汇碰撞的开放空间,美术馆藉由展览的形式成为了个人与机构进行藏品交流互动的场域和载体,并在此与公众分享他们对艺术的热忱、信念与坚守。

 

MR.

《我回来了!欢迎回家!我回来了!欢迎回家!……》

2016

布面喷墨打印、丙烯、铅笔

198.1 x 468.6 x 5.7 cm

图片由立木画廊惠允

MR.

I'm Back! Welcome Home! I'm Back! Welcome Home!...

2016

Inkjet print, acrylic and pencil on canvas

198.1 x 468.6 x 5.7 cm

Courtesy of Lehmann Maupin

 

廖逸君

《吻的检查》

2015

喷墨打印

150 x 200 cm

图片由前波画廊惠允

Pixy Liao

Kiss Exam

2015

Inkjet print

150 x 200 cm

Courtesy of Chambers Fine Art

 

顾长卫

《Z169》

2015

艺术微喷

224 x 110 cm

2015

图片由艺术家惠允

Gu Changwei

Z169

2015

Giclee Print

224 x 110 cm

Courtesy of the artist

罗宾·罗德

《喷泉》

2014

数码激光冲印

15部分,每部分50 x 50 cm

图片由立木画廊惠允

Robin Rhode

Fountain

2014

C-print

15 parts, each 50 x 50 cm

Courtesy of Lehmann Maupin

 

李明

《反馈,上》

2018

五通道高清录像

28'58 "

图片由艺术家惠允

Li Ming

Feedback, Volume 1

2018

Five-channel video

28'58 "

Courtesy of the artist

 

参展艺术家名单:

 

卡德尔·阿提亚、彼尔蕾特·布洛克、古斯塔夫·库尔贝、马丁·克里德、董大为、五木田智央、凯瑟琳娜·格罗斯、顾长卫、查尔斯·哈兰、何翔宇、杰普·海因、大卫·霍克尼、皮埃尔·于热、拉乌尔·德·凯泽、奥斯丁·李、李明、廖逸君、刘香成、保罗·麦卡锡、萨宾娜·莫里茨、MR.、尼古拉斯·帕蒂、亚莉克丝·普拉格尔、罗宾·罗德、斯特林·鲁比、尼古拉·萨莫利、塔可、沃尔夫冈·提尔曼斯、傅丹、郭熙、王音、克里斯托弗·伊沃雷、于吉、周思维、周滔

 

Collective Care: A House with Many Guests Date: 2020.06.13 - 2020.09.13Location: M WOODS 798

 

If, as independent exhibition designer Harald Szeemann suggested in the 1980s, a museum is a ‘house for art’, then what is the museum in 2020? As M WOODS’s first exhibition in our 798 location since its temporary closure in early January, we look to collectivism and networks of sharing collections locally as a relevant model for exhibition-making in China during our new distinctive post-Covid-19 present. Collective Care: A House with Many Guests invites eight local collections to be presented alongside the museum’s collection in an exhibition that crosses chronological boundaries as well as conventional stylistic categories by displaying both art objects in a variety of mediums and periods, from installation art to Chinese antiques, alongside non-art objects from the early 1990s to the present. Divided into separate autonomous spaces, the exhibition asks how museums might become more open spaces comprised of intersecting voices and fingerprints, while also looking into the concept of care, as a crucial component to every museum and collection moving forward.Imagining a new ‘local turn’, Collective Care: A House with Many Guests is both an exhibition and a model of sharing collections that works locally and within a collecting network of sympathetic individuals and guests. Showing that hospitality, as French philosopher Jacques Derrida suggested, “can only be poetic”. By opening up M WOODS to these mixed voices and collections, the museum also hopes to reflect on what role a museum can play in the larger art ecology of the region. Participating collections include: Du Jie, Hong Yanxia, Jevin Junyi Hong, Li Zhanhao, Vincent Liu, Ouyang Kunlun, Yuan Bing, Patrick & Shoe-li Chou With artworks by: Kader Attia, Pierrette Bloch, Gustave Courbet, Martin Creed, Dong Dawei, Tomoo Gokita, Katharina Grosse, Gu Changwei, Charles Harlan, He Xiangyu, Jeppe Hein, David Hockney, Pierre Huyghe, Raoul de Keyser, Austin Lee, Li Ming, Pixy Liao, Liu Heung Shing, Paul McCarthy, Sabine Moritz, MR., Nicolas Party, Alex Prager, Robin Rhode, Sterling Ruby, Nicola Samorì, Taca Sui, Wolfgang Tillmans, Dahn Vo, Guo Xi, Wang Yin, Cristof Yvoré, Yu Ji, Zhou Siwei, Zhou Tao

About M WOODS

 

M WOODS is an independent, not-for-profit art museum founded in 2014 by collectors Lin Han and Wanwan Lei. Across two museum sites, M WOODS 798, housed in a former munitions factory in Beijing’s 798 Art District, and the newly inaugurated M WOODS Hutong, in the M WOODS Art Community located in the city’s historical Dongcheng District, present a year-round programme of exhibitions, performances, music, education, live events and talks that situate contemporary art in the city’s centre and beyond.

 

In 2015, M WOODS received its official not-for-profit status in China as an acknowledgement of its cultural services to the public. The museum’s emphasis is on presenting new and historical work by Chinese and international artists, often by those who have rarely or never had a solo exhibition in a Beijing institution. Presenting the first institutional solo exhibitions in Beijing by artists such as David Hockney, Lu Yang, Richard Tuttle, Nicolas Party, Liang Shaoji, Cristof Yvoré, Paul McCarthy, amongst others, and collaborating with international museums such as Tate Modern, London, to present unique experiences and exhibitions for a local audience.

 

关于木木

木木美术馆和木木艺术社区是由收藏家林瀚、雷宛萤(晚晚)夫妇共同创立的艺术机构。作为中国本土面向公众的新型性艺术平台,木木美术馆和木木艺术社区定期举办展览,并推出公共活动、艺术出版物等丰富的内容。美术馆艺术项目主要依托美术馆馆藏——涵盖从古代到当代不限时代、地域、媒介的艺术品。在致力于强调艺术普世性的同时,探寻艺术的纯粹性及恒久性,探索并诠释美术馆的当代性和当代职责。2015年,木木美术馆798馆被官方认证为非盈利的民营美术馆。我们将持续推动艺术在中国民众中的传播。

 

一个人的房间 木木美术馆798馆2020.06.13 — 2020.09.13

 

七夕大礼包

 


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